在这部5台破相机纪录片片中,有超过15个国际影展争相邀请的2011超高评价获奖纪录片佳作，
导演利用反讽的方式去记录巴勒斯坦农民孩子成长与乡里抗争的过程，
一举拿下了2011阿姆斯特丹纪录片影展评审团特别奖及观众票选奖、2012美国日舞影展纪录片最佳导演奖
第85届奥斯卡金像奖(2013) 奥斯卡奖-最佳纪录长片(提名) Guy Davidi
◎简 介
2005年，导演埃梅德的四子出生后，他开始用摄影机纪录孩子的生活，邻里也拜托他纪录下社区的特别庆典，在他纪录同时，以色列ZF开始在他的家乡筑起了隔离墙，这让他的乡里很愤怒，展开了抗争的行动，带头的正是埃梅德的两位好友，这段纪录孩子成长与乡里抗争的过程，亦逐步改变了他的生活，他的家人兄弟朋友，陆续有人被枪杀或逮捕，每一台破碎的摄影机都代表了一个故事…
When his fourth son, Gibreel, is born, Emad, a Palestinian villager, gets his first camera. In his village, Bil'in, a separation barrier is being built and the villagers start to resist this decision. For more than five years, Emad films the struggle, which is led by two of his best friends, alongside filming how Gibreel grows. Very soon it affects his family and his own life. Daily arrests and night raids scare his family; his friends, brothers and himself are either shot or arrested. One camera after another is shot at or smashed. Each of the 5 cameras tells part of his story.
Interview With Guy Davidi, “5 Broken Cameras”。活在巴勒斯坦。战争之伤。Subjectivity as Agency。墙与破相机。虽是insider,拍出来像个outsider。小人物的故事就是所有人的故事。史上最令人震撼的纪录片。
