在这部关于结尾纪录片片中,一个被遗弃的城市和充满忧郁的人类住宅的黑白照片，在这些照片中，时间拖了过去，产生了内心反省和沉思的空间。这是电影制作人在《与世隔绝》中的亲密陈述，在这封信中，他读到了一位母亲写给她儿子的信，她已经四年没有见到儿子了。充满温柔、痛苦和宗教信仰的话语将过去的记忆与未来时刻的信念混合在一起。在文本中，以一种安静的声音发出，明暗对比，就像他们在充满明暗对比的迷人镜头中所做的那样。没有故事情节，没有对话，也没有紧张，这部电影让观众安静地沉思。
Black-and-white shots of an abandoned city and human dwellings permeated by melancholy, in which time drags on and gives rise to space for inner reflection and contemplation. It is the filmmaker's intimate statement from isolation, in which he reads letters from a mother longing for her son, whom she has not seen for four years. Words full of tenderness, pain, and religious conviction mix memories of the past with faith in future moments together. In the texts, uttered in a quiet voice, light and darkness contrast, as they do in the captivating shots full of chiaroscuro. Without a storyline, dialogue, or tension, the film offers itself to quiet contemplation by its viewers.
