在这部朱丽叶与魔鬼剧情/喜剧/奇幻片中,费里尼拍摄了另一部自传性很强的电影《朱丽叶与魔鬼》，在这部电影里，费里尼过分追求求神秘主义的梦境空间，在影片里极尽详能的描述描写一个资产阶级的女人遭到丈夫的欺骗，精神迷惘，陷于离奇古怪的幻觉，最后终于清醒的故事。虽然费里尼和茱莉埃妲两人携手共度一生，而且费里尼也从来没有传出与其他女人的诽闻，但是我想所有对费里尼非常熟悉的影迷都不相信费里尼从没有出轨的行为。尤其在看了这部电影之后，因为在费里尼的电影中充分的表现出费里尼是一个性欲旺盛且对女人充满遐想的导演，他甚至在他的男人外遇只是把自己的性器官借给别人用一下罢了，并没有出卖自己的灵魂。或者这正是费里尼的迷人之处吧，他永远是神秘的，让人无法捉摸的。
Juliet lives in a beautiful house by the ocean. Her sisters, and especially her Mother overshadow her with their beauty. She is a spiritual, superstitious and naive woman. She visits a psychic seer who tells her she must follow the sex trade in order to be happy. Not long after she meets her eccentric and sexy neighbour, Suzy, who, by all counts appears to be a high class prostitute and encourages Juilet into sexual acts which make her guilty and nervous. A rare night when her husband is at home she wakes up to catch him talking to another woman on the phone. He calls out the name "Gabriella" while sleeping, but when she questions him he lies his way out of it. She finds out who Gabriella is and fears her husband will leave her. Juliet begins having visions who accuse and terrorize her. The pinnacle of the visions comes at the end where it is implied she realizes she would be better off without her husband and is ultimately emotionally emancipated.
献给马西娜的“八部半”。《朱丽叶与魔鬼》：费里尼现象学。费里尼的女性狂想曲——《精灵朱丽叶》。维持婚姻的内在感。《导演说》之《朱丽叶与魔鬼》。费里尼与精灵。费里尼-影片中的中的女权觉醒。懦弱是因为害怕自由。费里尼之最：朱丽叶与魔鬼。《朱丽叶与魔鬼》：火刑架上再没有自己的肉体。
| 标题 | 类型 | 来源 | 播放 |
|---|---|---|---|
| 朱丽叶与魔鬼[1965] | 正片 | 土豆 | 播放 |
