在这部我像疯马般行走剧情片中,又是一部费尔南多的超现实主义的电影,比《死亡万岁》晚了三年，完成与1973年。也可能正因为这三年，导演的思想以及艺术手法更加成熟。这个电影中导演抛弃了政治上的想法，迈向了更加广阔的自然与现代，文明与原始冲突的主题，母与子之间性冲突也不单如《死亡万岁》中儿子对母亲的性 萌动。 情节依然有一条主线，一个男子杀了自己的母亲，开车来到了沙漠，遇到了一个侏儒，然后产生了感情，把侏儒带回了文明社会，一起分享他的财产，同时警察所代表的国家机器又在追捕这个男子。全片中所蕴涵的冲突有许多，最明显的是，文明与原始，自然...
When his mother dies, the police want to talk to Aden Rey, but Aden, a guilt-ridden epileptic, has left for the desert. There he comes upon Marvel, a noble savage. Aden, Marvel, and Marvel's goat become companions through travels, a wedding, an examination of Aden's role in his mother's passing, a trial, additional deaths, and various meals. There are also flashbacks to Aden's childhood and his relationship to his mother. Meanwhile, the police step up their efforts to find Aden.
我像疯马般行走。我真是又宅又腐又三八!!!。像山羊般的安适。只为逃离现代文明-我像疯马般行走(生命的解脱之道)。恶心到底。像疯马脱缰般的人格分裂，自我救赎的过程。那样的马蹄声。
