在这部尖角体短片片中,《尖角体》是件单频道影像作品，背景立于一场演奏会，流动的镜头描绘一个中介于人与机器的物体及其动作与视野。此件作品可以分为三个部分：人的身体（指挥家）、音乐（理察．史特劳斯的作品《变形》）及摄影机器（计算机动作控制摄影）。其中，摄影机器的动作控制由数据所安排构成，而数据来自于音乐和乐团指挥的动作（藉由动态捕捉取得）。在拍摄过程中，这种机器与人动作的互为关系使机器成为了影像的另类化身。
在此件作品中，物被艺术家拟作一种感性存在，得以去细细观察被摄者的身体及因之所产生的动作之间的混乱交杂，同时作品亦企图打开一个由三种元素相遇所创造出的可能触及与感受的精神空间。
Centered on the romantic figure of the conductor, Fraktur deals with the grotesque and the solitude of it. Built on a Motion Control set - and helped with a Motion Capture one - the movement of the camera is the translation of the one of the conductor. By its way of operating (by repeating the same movement from one take to an other), this specific set helps to make the image of the body vanish while keeping the movement of it. By doing so, it allows the film to switch from a stage of representation fully dedicated to the image to a more intimate, interior state - embodying the whole process of creation, and of living, as a continuous struggle between inside and outside.
